# Nisha Mathew Ghosh ## Posts - [Elementor #1360](https://nishamathewghosh.com/elementor-1360/): Add Your Heading Text Here - [Featured on StirWorld - Interview with the LDB 2021 India Pavilion Team](https://nishamathewghosh.com/featured-on-stirworld-interview-with-the-ldb-2021-india-pavilion-team/): Having left an indelible impact on the minds of the visitors at the event, the India Pavilion titled ‘Small is Beautiful’, curated by architect Nisha Mathew Ghosh represented the nation’s collective voice, offering several ideas and innovative ventures from the land of a billion dreams. STIR speaks with the pavilion’s creative team comprising designers, architects, and musicians, who made the India Pavilion a larger than life experience. To read the full article visit https://www.stirworld.com/see-features-a-conversation-with-the-creatives-behind-small-is-beautiful-at-ldb-2021 - [Featured on Jindal Stainless, Architect Special Blog - Our Partner, Our Pride](https://nishamathewghosh.com/featured-on-jindal-stainless-architect-special-blog-our-partner-our-pride/): “Stainless steel has the unique ability to be robust while conveying ideas delicately!” The world knows her as a renowned artist and architect who excels at crafting out-of-the-box ecological stainless steel solutions. Her bold ideas give a fresh outlook to the way we perceive womanhood, home, and environment. Her faith in people and their potential has helped her cross social and spiritual boundaries with art and architecture. Stainless Post interviews Ms Nisha Mathew Ghosh To read the full article visit https://www.jindalstainless.com/ms-nisha-mathew-ghosh/ ## Pages - [Batua](https://nishamathewghosh.com/batua/): ORNAMENT accessory inspired by Indian pre-colonial couture. for hand. crafts a free-size hold clasped by the fingers, referencing the symbolism of women, inheritance and ‘ownership’. Handwoven stainless steel with faux-leather. Single EditionNisha Mathew Ghosh Batua 1 Batua 2 Batua 3 Batua 4 Batua 5 Batua 6 - [Thali](https://nishamathewghosh.com/thali/): THALI (PLATE) is a table-serving emblem of the traditional Indian plate inspired by the traditional flat plate that curry is poured into multiple times during a rice meal. It instead sculpts out voids for the holding of the components of the food curation of this region. I remember my family’s shared enjoyment of the multiple pourings, multiple scoops. TRI.Handwoven food grade.stainless steel. Limited edition 3 pieces.Nisha Mathew Ghosh Thali 1 Thali 2 Thali 3 Thali 4 Thali 5 Thali 6 - [Terms and Conditions](https://nishamathewghosh.com/terms-and-conditions/): NishaMathew Ghosh WebsiteTerms and Conditions of Use Introduction The website of Nisha Mathew Ghosh is hereinafter referred to as the NMG website throughout this document.  These terms and conditions govern the use of this website by all users and viewers. By accessing this website, you accept these terms and conditions in full and without reservation. If you disagree with these terms and conditions or any part of these terms and conditions thereof, we request you to refrain from using this website. You must be at least 18 [eighteen] years of age to use this website. By using this website and by agreeing to these terms and conditions, you warrant and represent […] - [Refund and Returns Policy](https://nishamathewghosh.com/refund-and-returns-policy/):   REFUND AND CANCELLATION POLICY   Nisha Mathew Ghosh OBJECTS-I-LIKE is a Shop that sells the products designed by Nisha Mathew Ghosh or on occasion her invited guests. The incoming funds of this project are routed via a Sole Proprietorship called ELEATZ registered under Karnataka Shops and Commercial Establishments. Govt of Karnataka, and also under the Government of India.   We encourage potential buyers of these products to understand each of the initiatives undertaken by us. These products are the outcome of empowerment programs for women and the economically disenfranchised. Each product you buy goes to support these programs initiated and […] - [Disclamer](https://nishamathewghosh.com/disclaimer/): DISCLAIMER This website is owned and operated by Nisha Mathew Ghosh (“Company,” “we,” or “us”). This Disclaimer, along with the Terms and Conditions and Privacy Policy, governs your access to and use of www.nishamathewghosh.com including any content, functionality and services offered on or through www.nishamathewghosh.com, (the “Website”), whether as a guest or a registered user. Please read the Disclaimer carefully before you start to use the Website. By using the Website or by clicking to accept or agree to the Terms of Use when this option is made available to you, you accept and agree to be bound and abide […] - [My account](https://nishamathewghosh.com/my-account/) - [Checkout](https://nishamathewghosh.com/checkout/) - [Basket](https://nishamathewghosh.com/basket/) - [Shop](https://nishamathewghosh.com/shop/): Objects-I-Like These works are handcrafted in the Stainless Steel Weaving Studio which is an experimental studio empowering a disenfranchised individual with fine-crafting skills. Every object you purchase is a donation to support this project.  - [Curatorship](https://nishamathewghosh.com/curatorship/): Curatorship NISHA MATHEW GHOSH WITH HEATHER AHTONE, DAKOTA HOSKA, SALLY FRATER . AAMC EPIC PROGRAM FELLOWS SEMINAR 2022 INTERSECTIONS. Reflecting on possible cartographies of the de-colonized Museum of the present and future in a post- post representational world where the image of the imagination of the image is legitimized by social media as the only reality, this seminar looks at the on-ground overlapping realities of  visual and virtual, physical and natural means to enable equitable representation that can subvert existing cartographies with new reflections and strategies. The word ‘’intersections’ implies the idea of dividing something by passing or  lying across […] - [Hometemp](https://nishamathewghosh.com/hometemp/): Nisha Mathew GhoshCreating ideas for a sustainable worldLearn more…Architecture ShowcaseTree House. Aparna & Viplov Rao HouseLearn more…Art ShowcaseAra Granary TharavaduLearn more…Renewal & RehabilitationThe Anah Anah ExperimentLearn more…Architecture ExhibitionLONDON DESIGN BIENNALE INDIA showcase 2021Learn more…Art ExhibitionBODHI GALLERY Mumbai India. curated by Bose KrishnamachariLearn more…Collaboration ShowcaseRunway Jewelry Collaboration with Late. Wendell RodricksLearn more… Previous Next Nisha Mathew Ghosh Nisha Mathew Ghosh’s architecture practice situates itself within the larger practice of Mathew and Ghosh Architects, India which she co-founded with Partner Soumitro Ghosh in 1996. Her reflective and seemingly curatorial practice is a confluence of many strands broad ranging across Landscape, Urban readings […] - [test](https://nishamathewghosh.com/test-2/) - [test](https://nishamathewghosh.com/test/): Add Your Heading Text Here - [Press](https://nishamathewghosh.com/press/): Press - [Press old](https://nishamathewghosh.com/press-old/): Press https://www.youtube.com/watch?v=p3VS34Tpb50 Featured Jindal Stainless – Our Partner Our Pride Section Featured on StirWorld – Interview with the LDB 2021 India Pavilion Team. https://www.youtube.com/watch?v=uDM5U-97IFE The Quarry Gallery https://www.youtube.com/watch?v=LZ_RbabM3RM Nisha Ghosh – The Quarry – Curator x Creator – CO LAB – Vogue India Interview Nisha Mathew Ghosh cover featured on Sustainable Architecture in Architecture plus Design Magazine – Nov 2021 Mathew and Ghosh Architects shortlisted as Top 50 most Influential Names in Indian Architectural Digest Magazine March – April 2014 - [London Design Biennale](https://nishamathewghosh.com/london-design-biennale/): INDIA PAVILION THE LONDON DESIGN BIENNALE 2021 Designed and Curated by Nisha Mathew Ghosh | BEHIND THE SCENE The curatorial direction for the India Pavilion 2021 is to be able to take a long glance at IDEAS that have developed in our country in the thresholds between DESIGN and ECOLOGY across various domains/ and disciplines and covering WATER (OCEANthoughts/ AIR (BREATHEfreedom)/ ENERGY(POWERshower) / FOREST(TREErest)/ EARTH and brownfield (TERRAbride) The India Pavilion is thus the STORY of India’s landmark ideas through various disciplines that bridge Design and Ecology, as a marker and a trajectory for the future, enabling a first time […] - [Art](https://nishamathewghosh.com/art-exhibitions/): Art Exhibitions 2024. GALLERY DTALE ARCHIST. Inhabitation by NishaMathewGhosh. Group Show curated by Bose Krishnamachari. 2021. KOCHI MUZIRIS FOUNDATION Kerala India. ‘LOKAME THARAVAD – THE WORLD IS ONE FAMILY’ curated by Bose Krishnamachari 2010. GALLERY BMB ‘HER WORK IS NEVER DONE’ Mumbai India. curated by Bose Krishnamachari 2006. BODHI GALLERY Mumbai India. curated by Bose Krishnamachari 2006. WALL PAPER EXHIBITION at Teatro Armani, Milan Italy. Group show of design objects. - [Architecture](https://nishamathewghosh.com/architecture-exhibitions/): Mathew and Ghosh architecture models at Venice Biennale 2018, Time Space Existence. Architecture 80 Women Architects of India.  Samatva @ India Art Architecture Design Biennale 2023. LONDON DESIGN BIENNALE INDIA showcase 2021 INDIA PAVILION. Curator Venice Biennale 2018, Time Space Existence Jawahar Kala Kendra 2018, When is Space. Aedes am Pfefferberg, Berlin 2009, What Makes India Urban Brick by Brick – Art Asia Pacific (New York) – 9 InternationalArchitects exhibition @ Shanghai, China 2007. Chicago Athenaeum International Architecture Award Chicago, USA 2007. New World Architecture – London Architecture Week 2007 +Brussels 2007 + Eindhoven Netherlands by The EuropeanCentre for Architecture […] - [Collaborations](https://nishamathewghosh.com/collaborations/): Collaborations Runway Jewelry Collaboration with Late. Wendell Rodricks Wendell described the theme for his runway collection; he wanted to explore how the seahorse motif could be used for the jewelry. I designed a piece, and we quickly made the work in aluminium wire to get the forms and shapes as per my sketch. Wendell loved the prototype, and we discussed that we would vary the drape-shape about the neck for each of the three pieces. I finally made the work in pure silver at the studio – we then had a small jewelry maker section within my studio with a […] - [KGF – Gold Mountain To Molehill](https://nishamathewghosh.com/renewal-rehabilitation/kgf-gold-mountain-to-molehill/): Home → Renewal & Rehabilitation → KGF – Gold Mountain To Molehill → KGF – Gold Mountain To Molehill This curation comments on the extractive economy of a denuded and abandoned gold mine years ago, leaving a ghost town behind which thrives on memories; where children grow up in homes where they do not see both their parents but are brought up only by grandparents, as parents travel 5 hours a day to find employment in the nearby city of Bangalore. It intentions to a renewal and rehabilitation strategy, first by skill-up for self employment via design using textile waste, […] - [The Sustaind Project](https://nishamathewghosh.com/renewal-rehabilitation/the-sustaind-project/): Home → Renewal & Rehabilitation → The Sustaind Project → The Sustaind Project THE SusTaIND Project (A Sustainable Textile Approach for India) maps material flows of waste new textile from a given pilot area of 7 square kilometers in Bangalore – a city where the landfills are overflowing and policies fall short of teeth to enforce. The project facilitates a clean water ecosystem empowered by art in the community. The pilot implementation engages textile waste producers, local governing authorities, designers, and locals, as scrap fabric is upcycled into sustainable textile art-offerings. Simultaneously, it builds community in a fractured class divide. […] - [The Anah Anah Experiment](https://nishamathewghosh.com/renewal-rehabilitation/the-anah-anah-experiment/): Home → Renewal & Rehabilitation → The Anah Anah Experiment → The Stainless Steel Weaving MAKER STUDIO by NMG This social experiment works with economically challenged and illiterate individuals to skill them with high-crafting expertise in weaving stainless steel wire. Raju, a former beggar with dwarfism that hindered any form of employment, now trains and teaches inexperienced women with few prospects for socioeconomic mobility. This project carves out a site for such a negotiation within the local dwelling context and creates local subsistence-opportunities replicable at the neighborhood scale, enabling women to both earn and take care of their children within […] - [Renewal & Rehabilitation](https://nishamathewghosh.com/renewal-rehabilitation/): Renewal & Rehabilitation Renewal & Rehabilitation Objects-I-Like by NMG Maker Studio. Social Experiment →The Sustaind Project →KGF – Gold Mountain To Molehill → - [Prayer](https://nishamathewghosh.com/art/prayer/): Home → Art → Prayer → Prayer Materials: Inclined plywood base, Waste fabric artwork, Text, Bench, Rotary Motor The work references the form of the charging bull in New York which represents the courage and indomitable spirit of people as Wipro continues to be a global software giant. It turns the metaphor of aggression using the idea of clothing, a garment that softens the posture to that of courage coupled with compassion and capitalism coupled with commitment to save, renew, nurture and rehabilitate. The embedded meanings of fierceness is coupled with fragility as the garment in mixed hues of dull […] - [Is It A Bird Is It A Windmill](https://nishamathewghosh.com/art/is-it-a-bird-is-it-a-windmill/): Home → Art → Is It A Bird Is It A Windmill? → Is It A Bird Is It A Windmill? Bamboo with natural dyes, waste virgin fabric, stainless steel, rope. Originally designed for London Design Biennale 2021. Is It A  Bird? Is It A Windmill? Resonances by Nisha Mathew Ghosh. The installation makes references to clean energy, and clean air, as a two-winged structure inspired by the form of a windmill blade, and the idea of the traditional Indian fan or Punkha – that was manually moved to bring breeze. A mnemonic humorous reference to the diagram of the […] - [Nest](https://nishamathewghosh.com/art/nest/): Home → Art → Nest → Nest Material: Stainless steel wire, wood, lacquer, plywood, paint Nest. Migrations and Territories by Nisha Mathew Ghosh - [The Body Project](https://nishamathewghosh.com/art/the-body-project/): Home → Art → The Body Project → The Body Project. Materials: Handcrafted in Stainless steel. The Body Project. Ruminations on Beauty by Nisha Mathew Ghosh This set of woven objects-of-adornment for the body, simply yet intentionally mirrors minimally the contours and profiles of body parts subjected to ornamentation such as neck, ear, hand and foot, referencing biblical text. It subliminally contrasts two narratives of the formation of the beauty of the human body; evolution, where form is evolved via lean selection of fittest, versus, the creationist where an omniscient loving Creator God has fashioned in beauty and original pre-Fall […] - [Tiger - Tiger](https://nishamathewghosh.com/art/tiger-tiger/): Home → Art → Tiger – Tiger → Tiger – Tiger Materials: Handcrafted ,Handwoven Stainless steel wire.Size: 2.9m x 1.0m x 0.6m TIGER TIGER is the first of three, on the tiger and its implied symbolic narrative appropriated both politically and socially. This series studies the perception of people and conjures up new imaginaries as form is divested of its power by dematerializing it via the act of weaving a narrative shorn of the power, panache, swagger associated with a cultural symbolic / or naturalized form: Instead a study in delicacy and a flitting materiality, lightness and a disappearance rather […] - [Ara Granary](https://nishamathewghosh.com/art/ara-granary/): Home → Art → Ara Granary → Ara-Granary Materials: Handcrafted Textile, Handwoven sieve in Stainless steel, and Survey Tripods Size: 3m x 3m x 1m Lokame Tharavadu Exhibition by Muziris Kochi Biennale Foundation The Granary and the Sieve by Nisha Mathew Ghosh This work maps a journey of “home” in the imagination of a symbol and its ability to connect meaning. The work juxtaposes symbols of the author’s abstraction and imagination that are juxtaposed together with a contrapuntal deliberation. It references a segment of the ARA or ‘’Granary’’ the representation of a Syrian-Christian traditional household where the mystery of its […] - [Art](https://nishamathewghosh.com/art/): Art ART Ara Granary →Tiger – Tiger →The Body Project →Nest →Is It A Bird Is It A Windmill? → - [Ravindranath House / Rao House](https://nishamathewghosh.com/architecture/ravindranath-house-rao-house/): Home → Architecture → Tree House. Aparna & Viplov Rao House → Tree House. Aparna & Viplov Rao House In Collaboration with SOUMITRO GHOSH. The project continues the narration of inversion to a private veranda while turning away from the street , yet making a gesture towards it in the handshake-gesture of the balcony at the upper level that leans onto the street allowing a spectatorship-engagement with it. The project uses fragments of architectural spatial memory to conjure connections with place, even while immersing in the local nuances of light and passive solar principles. INSIDE OUTSIDE, ISSUE 202, APRIL 2002, […] - [St Marks Resource Center](https://nishamathewghosh.com/architecture/st-marks-resource-center/): Home → Architecture → St Marks Resource Center → St Marks Resource Center In Collaboration with SOUMITRO GHOSH. The project continues the narration of inversion to a private veranda while turning away from the street , yet making a gesture towards it in the handshake-gesture of the balcony at the upper level that leans onto the street allowing a spectatorship-engagement with it. The project uses fragments of architectural spatial memory to conjure connections with place, even while immersing in the local nuances of light and passive solar principles. INSIDE OUTSIDE, ISSUE 202, APRIL 2002, page 90-98 ARCHITECTURE + DESIGN, VOL […] - [Bethel Baptist Church](https://nishamathewghosh.com/architecture/bethel-baptist-church/): Home → Architecture → Bethel Baptist Church → Bethel Baptist Church The project for the Bethel Baptist Church looks at the transformation of the traditional, ecclesiastical, spatial type and its interpretation in the present context – as well as examines the thresholds and negotiations between the neighborhood and the place of worship. In an expression of the close fellowship of the body of believers as a result of the dimension of worshipful awe of loving God, this building is a radical transformation of the ‘traditional’ linear nave-aisle space to an expanded, inclusive space. Within, the perceived external cuboid transforms into […] - [Bodhgaya Pilgrims Route](https://nishamathewghosh.com/architecture/bodhgaya-pilgrims-route/): Home → Architecture → Bodhgaya Pilgrims Route → Bodhgaya Pilgrims Route In Collaboration with SOUMITRO GHOSH. The project continues the narration of inversion to a private veranda while turning away from the street , yet making a gesture towards it in the handshake-gesture of the balcony at the upper level that leans onto the street allowing a spectatorship-engagement with it. The project uses fragments of architectural spatial memory to conjure connections with place, even while immersing in the local nuances of light and passive solar principles. INSIDE OUTSIDE, ISSUE 202, APRIL 2002, page 90-98 ARCHITECTURE + DESIGN, VOL XX NO. […] - [Oporto River Edge](https://nishamathewghosh.com/architecture/oporto-river-edge/): Home → Architecture → Oporto River Edge → Oporto River Edge While reconnecting with the fabled memory of the port from where many historical trips especially that of Vasco da Gama’s trip to India, the architectural position was to multiply the layers of the edge. The multiplication of the ground of the riverside space into interconnected infrastructure and programmatic layers, allows for the possibility of a sustainable manifesto for the future. - [National Military Martyrs Memorial](https://nishamathewghosh.com/architecture/national-military-martyrs-memorial/): Home → Architecture → National Military Martyrs Memorial → National Military Martyrs Memorial A clearing in a FOREST, a primal PATH, a symbol of bravery – memory and reference. The National Military Martyrs Memorial makes reference to the Forest by cutting a primal bold path through the forest to create the Ceremonial Pathway as a ‘clearing in the forest’ and a reference to early practices of commemoration of a martyr with a boulder or Veeragallu. Fundamentally, Mathew and Ghosh create a device by which the Void of the clearing and the Forest itself is given back to the city : […] - [Bhopal Gas Tragedy Memorial](https://nishamathewghosh.com/architecture/bhopal-gas-tragedy-memorial/): Home → Architecture → Bhopal Gas Tragedy Memorial → Bhopal Gas Tragedy Memorial The memorial encapsulates the idea of cleaning of this ‘brown field’ before it can be recovered for the public. The landscape retains the scars in the process and superimposes a hovering separateness from the scarred and pitted earth. The new landscape retains the scars and makes clearings between propped fragments that help make and negotiate the experience. The void of the courts that mark the physical absence of the removed old factory and the connection underground of the two is a path that marks metaphorically the movement […] - [Freedom Park](https://nishamathewghosh.com/architecture/freedom-park/): Home → Architecture → Freedom Park → Freedom Park The pattern of the land slopes gently from North to South implying the path of surface water. The implied lines of force of the axis generate possibilities which in tandem with area development, the traffic movement pattern and inflow from different parts of the city – informs the primary access to the park. The landscape is understood as ‘strands’ that suggest a directional flow of movement – of water and people.  The Panoptican prison typology is here layered with spatial inserts to re-enable the discovery of the ruin. Strategically one induces a freedom between […] - [House of Fragments](https://nishamathewghosh.com/architecture/house-of-fragments/): Home → Architecture → House of Fragments. Benjamin House → House of Fragments. Benjamin House The project continues the narration of inversion to a private veranda while turning away from the street , yet making a gesture towards it in the handshake-gesture of the balcony at the upper level that leans onto the street allowing a spectatorship-engagement with it. The project uses fragments of architectural spatial memory to conjure connections with place, even while immersing in the local nuances of light and passive solar principles. INSIDE OUTSIDE, ISSUE 202, APRIL 2002, page 90-98 ARCHITECTURE + DESIGN, VOL XX NO. 2, […] - [House of Stories](https://nishamathewghosh.com/architecture/house-of-stories/): Home → Architecture → House of Stories. Usha & TV Ramaswamy house → House of Stories. Usha & TV Ramaswamy house In Collaboration with SOUMITRO GHOSH. A diurnal and seasonal mapping of LIGHT with the nuanced fluctuations of a quantitative measure of natural sunlight , qualifies and makes visible the architectural ‘’typology’’ of VERANDA, CAVERN, SPINE.  These key elements of light make a reading possible of this house-form that maps the desire of a writer to withdraw and retreat into the subterranean mental constructs of her work, while connecting with the ecology of light specific and particular to the context […] - [Mary Mathew House](https://nishamathewghosh.com/architecture/mary-mathew-house/): Home → Architecture → Solar Wall House. Mary Mathew House → Solar Wall House. Mary Mathew House The house was a first essay in sustainability (at the very start of our practice) with form, and space shaped by passive solar principles. Thickened walls on the south-west, shade more open verandah spaces towards the northern and eastern exposures. Inverts the traditional format of Bangalore’s bungalow by turning away from the street to create a rear garden court. In collaboration with Architect Soumitro Ghosh - [Architecture](https://nishamathewghosh.com/architecture/): Architecture THE PRIVATE HOUSE House of Fragments. Benjamin House →House of Stories. Usha & TV Ramaswamy house →Solar Wall House. Mary Mathew House → MEMORIALS AND PARKS Freedom Park →Bhopal Gas Tragedy Memorial →National Military Martyrs Memorial → REVITALISATION Oporto River Edge →Bodhgaya Pilgrims Route → ECCLESIASTICAL Bethel Baptist Church →St Marks Resource Center → - [Publications](https://nishamathewghosh.com/publications/): Publications Books THE PHAIDON ATLAS OF CONTEMPORARY WORLDARCHITECTURE, Phaidon Press, ’04 (London) MADE IN INDIA’ AD monograph on architecture in India, editedby Kazi Ashraf, AD London ’07. YOUNG ASIAN ARCHITECTS’ by daab gmbh, Koln ’07 2007 ARCHITECTURE ANNUAL (IV) by ARCHIWORLD Co. Ltd. Seoul, Korea. TOP ARCHITECTS – ASIA, Volume 2 of 3 Sept ’06 by Archiworld, Seoul, Korea. MIPIM ARCHITECTURAL REVIEW FUTURE PROJECTAWARDS Cannes & London 2005 Catalogue. INDIAN DESIGN’ BY DAAB GMBH, Koln Aug 2004. ‘-40’ THE SKIRA LIBRARY, Milan, Italy ’02. INDIAN BOOK PUBLICATIONS INDIAN HOMES Roli Books 2022 BEST 50 HOMES Skyboard White flag 2022 UNBUILT […] - [Nisha Mathew Ghosh](https://nishamathewghosh.com/nisha-mathew-ghosh/): Nisha Mathew Ghosh WORKS AS ARTIST IN THE LIMINAL SPACE  BETWEEN ART ARCHITECTURE, ECOLOGY AND COMMUNITY, MAINLY SCULPTURES, INSTALLATIONS BUT ALSO RECENT DIGITAL WORKS. ENJOYS WORKING WITH MULTI-MEDIA IN THE SCULPTURE SPACE.      NishaMathewGhosh’s artistic practice operates in the space between Art, Ecology and Activism to communicate, make a plea, inspire and advocate; drawing interest to bear on the need for stewardship of the planet and all creatures great and small. Her fundamental interest is the engagement with LAND embedded in understandings of text, geology, and geography. Her works use simple literal narrations of form while juxtaposing them with […] - [Contact](https://nishamathewghosh.com/contact/): Contact Nisha Mathew Ghosh 3, Temple-Trees RowViveknagar P.O.Bangalore- 560047INDIA   contact@nishamathewghosh.com - [Awards](https://nishamathewghosh.com/awards/): Awards 2021. Selected as Artist for Installation 2019 for the India Pavilion at the London Design Biennale for 2021 2018. Display at Palazzo Mora, Venice Biennale 2014 2014. Won the EDIDA Award for the woven Multiple Lilypad 2014 2007. Brick by Brick, Art Asia Pacific (New York) (9 International Designers), Shanghai, China. 2010 2006. Wallpaper International Designers Exhibition, Teatro Armani, Milan, Italy. 2006 Woven PILLOW vase - [Home](https://nishamathewghosh.com/): NEST. Migrations and Vulnerabilities.  Multi-modal digital work by NishaMathewGhosh. Nisha Mathew Ghosh Nisha Mathew Ghosh’s architecture practice situates itself within the larger practice of Mathew and Ghosh Architects, India which she co-founded with Partner Soumitro Ghosh in 1996. Her reflective and seemingly curatorial practice is a confluence of many strands broad ranging across Landscape, Urban readings and strategy, Architecture, and Product Design (which includes among others, the experimentation with, and commitment to sustainable upcycled textiles). Underlying these multiple strands is a commitment to IDEAS especially those at the threshold of urban settlements and ecology, critically commenting via architecture on WATER, […] - [Sample Page](https://nishamathewghosh.com/sample-page/): This is an example page. It’s different from a blog post because it will stay in one place and will show up in your site navigation (in most themes). Most people start with an About page that introduces them to potential site visitors. It might say something like this: Hi there! I’m a bike messenger by day, aspiring actor by night, and this is my website. I live in Los Angeles, have a great dog named Jack, and I like piña coladas. (And gettin’ caught in the rain.) …or something like this: The XYZ Doohickey Company was founded in 1971, […] ## Products - [VIOLET SKY. DANCING DRAGONFLY 1076](https://nishamathewghosh.com/product/violet-sky-dancing-dragonfly-1076/): VIOLET SKY. DANCING DRAGONFLY 1076 is made from premium Indian cotton yarn with hem-stitched edges for durability. Designed by Nisha Mathew Ghosh, it features a subtle white base with a bold line drawing of kites that is self-woven into the rug. The motif size is approximately 2.1 feet in width and 1.5 feet in length. It can be used as a wall hanging or rug, and its compact size makes it perfect for slipping under a bed, study table, or in a corridor. - [KHAKI. LEAF 1061](https://nishamathewghosh.com/product/khaki-leaf-1061/): KHAKI LAND. LEAF 1061 . Natural khaki with an imprint of a leaf pattern in olive green tones. is made from premium Indian cotton yarn with hem-stitched edges for durability. Designed by Nisha Mathew Ghosh, it features a subtle white base with a bold line drawing of kites that is self-woven into the rug. The motif size is approximately 1.1 feet in width and 3.4 feet in length. It can be used as a wall hanging or rug, and its compact size makes it perfect for slipping under a bed, study table, or in a corridor. - [WHITE. LEAF 1068](https://nishamathewghosh.com/product/white-land-leaf-1068/): WHITE GROUND. LEAF 1068 is crafted from premium Indian cotton yarn with hem-stitched edges for durability. This piece features a white base with a clear imprint of a  leaf, self-woven into the fabric. The motif size is approximately 1.1 feet in width and 3.4 feet in length. Baseline orange with a subtle olive-green leaf motif. - [INDIGO SKY. KITE 1042](https://nishamathewghosh.com/product/indigo-sky-kite-1042/): INDIGO SKY. KITE 1042 is made from premium Indian cotton yarn with hem-stitched edges for durability. Designed by NishaMathewGhosh, it features a subtle white base with a bold line drawing of kites that is self-woven into the rug. The motif size is approximately 1.2 feet in width and 5.3 feet in length. It can be used as a wall hanging or rug, and its compact size makes it perfect for slipping under a bed, study table, or in a corridor. - [MAROON SKY. KITE 1031](https://nishamathewghosh.com/product/maroon-sky-kite-1031/): MAROON SKY. KITE 1031 is made from premium Indian cotton yarn with hem-stitched edges for durability. Designed by NishaMathewGhosh, it features a subtle white base with a bold line drawing of kites that is self-woven into the rug. The motif size is approximately 1.2 feet in width and 5.3 feet in length. It can be used as a wall hanging or rug, and its compact size makes it perfect for slipping under a bed, study table, or in a corridor. - [WHITE SKY. KITE 1039](https://nishamathewghosh.com/product/white-sky-kite-1039/): WHITE SKY. KITE 1031 is made from premium Indian cotton yarn with hem-stitched edges for durability. Designed by NishaMathewGhosh, it features a subtle white base with a bold line drawing of kites that is self-woven into the rug. The motif size is approximately 1.2 feet in width and 5.3 feet in length. It can be used as a wall hanging or rug, and its compact size makes it perfect for slipping under a bed, study table, or in a corridor. - [WHITE SKY. KITES 1080 ](https://nishamathewghosh.com/product/white-sky-kites-1080/): WHITE SKY WITH KITES DHARI is crafted from premium Indian cotton yarn with hem-stitched edges for added durability. Designed by Nisha Mathew Ghosh, this piece features a white base with a striking line drawing of kites, intricately self-woven into the fabric. The motif size is approximately 1.2 feet in width and 5.1 feet in length. Versatile in use, it can serve as either a wall hanging or a rug. Its compact size makes it ideal for slipping under a bed, study table, or in a corridor, adding a touch of elegance to various spaces. - [ELLIPSO Handcrafted
Limited edition ](https://nishamathewghosh.com/product/ellipso-handcrafted/): Description: Cellar or kitchen, this is for the elegantly inclined, as the edges of the platter tip gently upwards to give it an airy atmosphere. Delicate-looking but sturdy, this table accessory begs your discovery of new home-and-hearth uses. Product name : Ellipso Designer : Nisha Mathew Ghosh Collection : TABLE series Year: 2013 Dimensions: 15 cm x 24 cm x 7 cm height Material: Handwoven Stainless Steel Time Taken to weave product:  15 man-days - [FOR KITCHEN WALL. COOKIES AND A GLASS OF MILK Handcrafted
Single edition ](https://nishamathewghosh.com/product/for-kitchen-wall-cookies-and-a-glass-of-milk-handcrafted/): Product name : FOR KITCHEN WALL. COOKIES AND A GLASS OF MILK Designer : Nisha Mathew Ghosh Collection : WALL Series Year: 2017 Dimensions: 36 cm x 36 cm Material: Beige Raw Silk in PVC carbon-black frame with stainless steel handwoven objects Time Taken to weave product:  40 man-days - [TWIN DIP PLATTER Handcrafted](https://nishamathewghosh.com/product/twin-dip-platter-handcrafted/): Product name : TWIN DIP PLATTER Designer : Nisha Mathew Ghosh Collection : TABLE Series Year: 2015 Dimensions: Material: Stainless Steel Food Grade Time Taken to weave product:  40 man-days - [Foursome Handcrafted
Single edition ](https://nishamathewghosh.com/product/foursome-handcrafted/): Product name : FOURSOME Designer : Soumitro Ghosh Collection : TABLE Series Year: 2016 Dimensions: 49 x 46.6 cm x height 11 cm Material: Steel wire food-grade Time Taken to weave product:  90 man-days Limited Edition of 1 piece. - [CANDY TRIPETAL Handcrafted
Limited edition ](https://nishamathewghosh.com/product/candy-tripetal-handcrafted/): Product name : CANDY TRIPETAL Designer : Soumitro Ghosh Collection : TABLE Series Year: 2015 Dimensions: Material: Handwoven Stainless Steel Time Taken to weave product:  75 man-days Limited Edition of 3 pieces. - [BIRD Handcrafted
Limited edition ](https://nishamathewghosh.com/product/bird-handcrafted/): Product name : BIRD Designer : Nisha Mathew Ghosh Collection : CREATION Series Year: 2018 Dimensions: height 14 cm x 26 cm length Material: Handwoven Stainless Steel Time Taken to weave product:  30 man-days Limited Edition of 3 pieces. Price per bird - [APPLE Handcrafted
Single Edition](https://nishamathewghosh.com/product/apple-single-edition/): Product name : APPLE Designer : Nisha Mathew Ghosh Collection : CREATION Series Year: 2015 Dimensions: 28 cm height x 30 cm max. diameter Material: Handwoven Stainless Steel Time Taken to weave product:  120 man-days Limited Edition of 1 piece - [FISH Handcrafted
Single edition ](https://nishamathewghosh.com/product/fish-single-edition-handcrafted/): Product name : FISH Designer : Nisha Mathew Ghosh Collection : CREATION Series Year: 2012 Dimensions: Material: Handwoven Stainless Steel Time Taken to weave product:  120 man-days Limited Edition of 1 piece - [FILI 2 CONE Handcrafted
Limited edition ](https://nishamathewghosh.com/product/fili-2-cone-handcrafted/): Product name : FILI 2 CONE Designer : Nisha Mathew Ghosh Collection : TABLE Series Year: 2015 Dimensions: Material: Handwoven Stainless Steel Time Taken to weave product:  30 man-days Unlimited Edition - [FILI 1 CONE Handcrafted
Limited edition ](https://nishamathewghosh.com/product/fili-1-cone-handcrafted/): Product name : FILI 1 CONE Designer : Nisha Mathew Ghosh Collection : TABLE Series Year: 2013 Dimensions: Material: Handwoven Stainless Steel Time Taken to weave product:  30 man-days Unlimited Edition - [CRATER PLATTER XL Handcrafted
Limited edition ](https://nishamathewghosh.com/product/crater-platter-xl-handcrafted/): Product name : CRATER PLATTER XL Designer : Nisha Mathew Ghosh Collection : TABLE Series Year: 2013 Dimensions: 45.5 cm dia. x 5 cm height Material: Handwoven Stainless Steel Time Taken to weave product:  90 man-days Limited Edition of 2 piece - [FILI RISE PLATTER Handcrafted
Limited edition ](https://nishamathewghosh.com/product/fili-rise-bread-platter-handcrafted/): Product name : FILI RISE PLATTER Designer : Nisha Mathew Ghosh Collection : TABLE Series Year: 2016 Dimensions: Material: Handwoven Stainless Steel Time Taken to weave product:  15 man-days Limited Edition of 3 piece - [CHAMELEON Handcrafted
Single edition ](https://nishamathewghosh.com/product/chameleon-limited-edition-single-piece-handcrafted/): Product name : CHAMELEON Designer : Nisha Mathew Ghosh Collection : CREATION Series Year: 2017 Dimensions: length at max. 80 cm, width at max. 39 cm, breadth at max. 10 cm Material: Handwoven Stainless Steel Time Taken to weave product:  70 man-days Limited Edition of 1 piece - [FLAT RUG/ DHURRIE](https://nishamathewghosh.com/product/flat-rug-dhurrie-2/): INDIAN COTTON DANCEdragonfly. INDIGOfade Movement and more movement, the pencil point that goes over and over, mastering the capture of the flutter of the wings. The thread that is sinuously woven through to create line and movement. Simplicity belies its complexity of making. (limited edition Collection) Size: 3 feet x 5 feet - [FLAT RUG/ DHURRIE.](https://nishamathewghosh.com/product/flat-rug-dhurrie/): INDIAN COTTON playingKITES. WHITE For those who have jumped from roof to roof in the old city of Ahmedabad, with bated breath, not worried about standing at the edge of a roof, but rather at the watchful soaring or downfall of each kite. Dedicated to a soaring of hope again, a discovery of the higher ground, memories of Kite flying. (limited edition Collection) Size: 4 feet x 6 feet [comment]: # (Generated by Hostinger Tools Plugin)